The project was inspired by traditional still life and anatomical studies, particularly the use of skulls in art to explore form and mortality. I worked from a visual reference, building the painting gradually through layers of acrylic, focusing on tonal values and blending to achieve depth and realism. Careful attention was given to light, shadow and texture to capture the natural surface of the skull, while the dark background was used to create contrast and emphasise the subject. The process helped refine my painting technique and understanding of realistic representation.